ばいちょ(売価調査)、価格比較とネットでのお買い物を楽に

内容説明
Grasso explores the ways in which black and white 19th-century women writers define， express， and dramatize anger. Offering close readings of works by Lydia Maria Child， Maria W. Stewart， Fanny Fern， and Harriet Wilson， she shows how women used an aesthetic of discontent to address such complex social and political issues as slavery， industrialization， imperialism， and race relations.
Book Description
In this compelling interdisciplinary study， Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women’s literary history. Exploring how black and white nineteenth-century women writers defined， expressed， and dramatized anger， Grasso reconceptualizes antebellum women’s writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women’s anger at their exclusion from the democratic promise of America， and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-century women’s writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery， nation-building， gender arrangements， and race relations. Cutting across racial and genre boundaries， she considers works by Lydia Maria Child， Maria W. Stewart， Fanny Fern， and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination， these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.

商品の説明をすべて表示する